I don’t want to die a failure. But since it’s happening, you bet I’ll make a point to drag the process out. The lions hunts in a pack. Vultures stalk. Lions die out. Vultures flock. And the earlier worm gets an earlier death. I’ve got nothing to show. Work ethic gives no hope. Because the earlier worm gets an earlier death. And who am I to try to interrupt such a fool proof process? And I have figured it out, that I have nothing to gain. That there wasn’t ever anything missing. Whether or not you make it plays no part to planet Earth. So keep on scheming, delay all you want but you’re gonna decay. Into the ground beneath you, and the dirt will welcome you home. Kick back, rest. It’s okay, calm down, just rest. There’s really nothing better to do.
credits
from Horrible Music by Worse People,
released November 24, 2015
Recorded, Mixed, and Mastered by Mike Sahm of Dream Awake Audio
Quite possibly the most full-on album I've ever listened to. Intense, and then some. 'Digital Tarpit' could describe both the track and the whole album: high-pitched guitar squeals that make your fillings itch coupled with merciless, suffocating heaviness. The Avenell-esque vocals top it off perfectly.
Brilliant - punishing, but brilliant. jim_fuego
From riffs and production to hooks and breakdowns, the Canadian metalcore veterans' seventh album ups the ante in every way. Bandcamp New & Notable Oct 5, 2022
Jon Mess is a lyrical beast. His scream is so unique and I'm in love with the fact that this project allows him to explore his voice a bit more (both literally and figuratively [those sing/screams on Honey Boo Buscemi and Meat Fetish are ufff]). Of course Will is the man, I see a different side of Matt (which is good), but i think the real star here is Martin. His heavier insight is truly what makes this album what it is. His riffs are heavy, progressive and oh so smart. Miguel Guzman